About This Blog

I really like theatre, and I like writing and talking about it.

This blog is mostly about my relationship with theatre, the moments that make me fall in love with this art form, and the times when we don't always get along.

I'll be writing about things that I like, that I think are good and interesting and want to share. I will probably also write about things that I don't quite get, or think are wierd. I may also write about things that aren't theatre, strictly speaking, because it's my blog and I can.
Showing posts with label Danny Boyle. Show all posts
Showing posts with label Danny Boyle. Show all posts

Wednesday, March 23, 2011

My Thoughts on Frankenstein (Spoiler Version)

I wanted to share some more thoughts I had after watching Frankenstein last night, but they ruin some pretty big moments in the show. So if you're thinking of going, don't read this yet.


The start of the show is incredible; it starts with the genesis of the Creature as he is birthed on to the floor with a plop, and spends the next 10-15 minutes alone onstage, discovering how his limbs work. As Cumberbatch said in the pre-show interview, he has a full-grown human brain, and learns super-quick. Which is probably part of his downfall; as a child's brain develops, it layers different kinds of understanding and builds on its knowledge. An adult instead tries to smash the puzzle pieces together to make everything fit.

Anyway, it was an incredibly mesmerizing scene to watch. I would challenge any actor who doesn't bother to study any type of movement to create a scene that requires such nuance and stamina. I have one complaint, though; Frankenstein comes in, sees his creature, rejects him, and quickly disappears. I would have liked for them to hold on to that moment just a little bit longer; to see some kind of admission from the doctor that he was completely unprepared for his experiment to actually work.

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One of my favorite scenes was of the female creature (Andreea Padurariu), which the Creature has begged his master to make him. You could really see the crazy/inspiration in Miller's eyes as he began to imagine the improvements he could make in his next experiment. Now this is going to sound a little weird, but stick with me. I've always been fascinated by things that should be beautiful, but are marred or twisted in some way (like the dilapidated theater in my icon). The actress playing the Female Creature is an absolute paragon of female physical beauty--Frankenstein trots her out only partially re-animated and wearing only a small loincloth so you can see her perfect curves and angles, accentuated by neat rows of stitch marks along her pallid, dead flesh.

Frankenstein shows the Creature his bride, and asks him what love feels like. "My lungs are on fire, and I feel like I can do anything!" is his reply, and by the angry, haunted look on Frankenstein's face, you can tell that he has no idea what that feels like.

What happens next is that the doctor distracts his creature long enough to destroy his bride--Frankenstein himself is supposed to be getting married. His fiance Elizabeth is lovely, warm and vivacious, and he feels nothing for her. This thing he created understands what it is to experience life better than he does, so Frankenstein denies him the love he cannot feel himself. I found the bride's death oddly beautiful as well, created in silhouette behind the womb-like membrane we saw the Creature born from earlier, which then rotates to show the aftermath of his destruction.


Photo by Catherine Ashmore- The National Theatre.
The scene near the end where the Creature seeks revenge on Frankenstein by attacking Elizabeth (Naomie Harris) on their wedding surprised the hell out of me--the Creature was hiding in their bed and I had no idea he was there. It's hard to do a jump-scare on stage, because you have to get out there without anyone seeing you and stay hidden. They did it really well.

And at the end of the show, en route the the North Pole, I felt so bad for Jonny Lee Miller. He shaved his head, and was obviously dripping under his hot wig and frock coat, and then he has to put on this seal fur coat! Poor guy must've been dying.

Well I'm sure I'll have a million more thoughts about this show throughout the day, but I wanted to get these ones written down while they were still in my head. How wonderful to see a show that sticks with you so much!

Monday, February 14, 2011

London Theatre In Your Hometown

I've talked a lot before about going to the Metropolitan Opera's Live in HD screenings, but they're not the only ones doing them. The National Theatre in London is doing broadcasts of their shows as well to movie theaters across the country. Their season thus far has included a production of Hamlet which was well-reviewed, but there's lots of good Hamlets around, so I decided to hold out for some unusual fare.

Luckily, NT will be delivering next month with the debut of a new production of Frankenstein, directed by Danny Boyle (best known as a filmmaker, his works include Trainspotting, 28 Days Later, Slumdog Millionaire, and 127 Hours).

If that's not exciting enough, they're doing something really interesting with the casting of the leads. Benedict Cumberbatch and Jonny Lee Miller are starring in the title roles of the Creature and Victor Frankenstein. Yes, both of them. As in they are alternating the roles. Miller is pretty well known to US audiences for his roles in Trainspotting and the TV show Dexter; Cumberbatch is not exactly a household name (yet), so do yourself a favor and track down the BBC miniseries Sherlock he did this past year with future Hobbit Martin Freeman. Cumberbatch played a modern-day version of the detective--I think the show ran on PBS Mystery in the US, and it also has a cool online element which ties into the use of blogging in the show's plot.

Frankenstein opens in London in a few weeks and runs through April. The live screening will be in March, and I was very excited and curious to see how they would handle the issue of which cast to run. Well, prayers answered, they're screening it twice, so you can see either one you prefer, or (if you're a giant nerd like me) both.

The screening schedule is:
17 March: Benedict Cumberbatch (Creature), Jonny Lee Miller (Victor)

24 March: Jonny Lee Miller (Creature), Benedict Cumberbatch (Victor)

And full details are available at: http://www.nationaltheatre.org.uk/62808/productions/frankenstein.html


Now, if you'd like to watch some British theatre without even leaving your house, I found this article on Playbill.com today about downloading productions from www.digitaltheatre.com. I unfortunately can't check the link out on this computer, but I'm very keen on seeing their production of Into The Woods, as Playbill.com had posted a gallery of photos when the production was running, and it looked like there was some interesting stuff going on. So I'll see for myself later, and let you know how it works!